DANG Lut Pack #1

$20.00

Each lut has a normal version of the lut and a Legend version of the lut. The normal version is a standard normalized look, while the Legend is slightly more contrasty in the image.

The five current luts are the following:

  1. T&O

  2. Africa

  3. Cinema

  4. Sunset

  5. Simple B&W

Recommendations:

These LUTS are designed to be added looks after the basic color corrections. Once the image is converted to the Rec 709 / Natural look, then you would add one of these 5 luts. These luts are not designed to convert log footage into rec 709. Now while you can use these luts at 100% to get the most contrasty image, I tend to play around the 20-50 percent range to get the best results.

Each one of these luts has a normal and a legend version of each lut.

Specs:

Now all these luts are in a cube file format so they should all work on any nonlinear editing platform like Final Cut Pro, DaVinci Resolve, and Premiere Pro. I do have a color grading tutorials for Final Cut Pro and DaVinci Resolve linked below.

Color Grade Lumix VLOG in DaVinci Resolve

COLOR GRADE in Final Cut Pro with NO PLUGINS

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Each lut has a normal version of the lut and a Legend version of the lut. The normal version is a standard normalized look, while the Legend is slightly more contrasty in the image.

The five current luts are the following:

  1. T&O

  2. Africa

  3. Cinema

  4. Sunset

  5. Simple B&W

Recommendations:

These LUTS are designed to be added looks after the basic color corrections. Once the image is converted to the Rec 709 / Natural look, then you would add one of these 5 luts. These luts are not designed to convert log footage into rec 709. Now while you can use these luts at 100% to get the most contrasty image, I tend to play around the 20-50 percent range to get the best results.

Each one of these luts has a normal and a legend version of each lut.

Specs:

Now all these luts are in a cube file format so they should all work on any nonlinear editing platform like Final Cut Pro, DaVinci Resolve, and Premiere Pro. I do have a color grading tutorials for Final Cut Pro and DaVinci Resolve linked below.

Color Grade Lumix VLOG in DaVinci Resolve

COLOR GRADE in Final Cut Pro with NO PLUGINS

Each lut has a normal version of the lut and a Legend version of the lut. The normal version is a standard normalized look, while the Legend is slightly more contrasty in the image.

The five current luts are the following:

  1. T&O

  2. Africa

  3. Cinema

  4. Sunset

  5. Simple B&W

Recommendations:

These LUTS are designed to be added looks after the basic color corrections. Once the image is converted to the Rec 709 / Natural look, then you would add one of these 5 luts. These luts are not designed to convert log footage into rec 709. Now while you can use these luts at 100% to get the most contrasty image, I tend to play around the 20-50 percent range to get the best results.

Each one of these luts has a normal and a legend version of each lut.

Specs:

Now all these luts are in a cube file format so they should all work on any nonlinear editing platform like Final Cut Pro, DaVinci Resolve, and Premiere Pro. I do have a color grading tutorials for Final Cut Pro and DaVinci Resolve linked below.

Color Grade Lumix VLOG in DaVinci Resolve

COLOR GRADE in Final Cut Pro with NO PLUGINS